It seems as if the
impending holiday season had put a kibosh on new clips this week (and new
releases for this coming weekend as well), but we’ll work with what we have and
hope the dawning of December will be fruitful in more ways than one. First off,
we have the first full-ish length trailer for the mega-budgeted Disney sci-fi
epic John Carter, which aims for an
audience I haven’t quite pegged as of yet. Secondly is Being Flynn, the redemptive tale of an author and his son, played by
Robert De Niro and Paul Dano respectively. Finally, we bring to you a con-man
thriller with Samuel “Mother f$+%&#!”
New clips this week:
John Carter
Being Flynn
The Samaritan
John Carter
Though it debuts next summer (close for a blockbuster of this magnitude), Disney had only revealed snippets of its “John Carter of Mars” reboot, and after seeing the recent trailer, it’s clear why. Its exorbitant $200 million budget is all on display with the CGI, which is both extensive and very well done, especially for a film that has time for touch-up work and post-production polishing. The movie itself remains the elephant in the room, as the intergalactic setting, green aliens galore and an unknown lead seem less like a risky endeavor than it is an inevitable flop. It’s financial success aside, director Andrew Stanton and his cast populated with rising talent has my interest, and the acclaimed source material doesn’t hurt one bit. Storytelling will be the key for John Carter as many will just be expecting (at the least) a senseless summer spectacle. This movie’s hope lies in the possibility it could be something more.
Being Flynn
Originally going by the
much cooler title “Another Bullshit Night in
The Samaritan
Samuel L. Jackson goes the
way of The Sting with The Samaritan, about a recently paroled
grifter who is dragged back into the life he looked to give up. “The Samaritan”
refers to an actual con (in the movie at least); an extremely elaborate grift
with the expectedly large payoff. Tom Wilkinson also stars in this film helmed
by television director David Weaver. Though