Turn off the Lights
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Carnival Row (Spoiler-Free) Review
August 29, 2019 | TV Reviews
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Fall Network TV Preview: DRAMAS
August 17, 2019 | TV Features
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BH90210 Pilot Review (Warning-Spoilers!)
August 9, 2019 | TV Reviews
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Veronica Mars Season Four (Spoiler-Free) Review
July 19, 2019 | TV Reviews
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Forget Shark Week, It’s Space Week
July 17, 2019 | TV News

Television

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A Peek at Season 2 of The Walking Dead

AMC
offered a small taste of what’s to come in season two for Rick Grimes
and his fellow survivors, or at least a look at what they’ll be
facing. Showcasing what may be The Walking Dead‘s
greatest attribute – that being the makeup and effects for the
“walkers” – this shot has already excited fans itching for more.

The
eyes are a certainly odd (maybe the poor lass was strangled and they
went all buggy) but there is no denying the attention to detail on
her skin, lips, and teeth are incredible. Of course where there’s
one zombie, there’s always more. With the mass of them filling the
shot it looks like things aren’t going to be getting any easier for
Rick and company.

9.8
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Game of Thrones – The Pointy End

This show just keeps getting better, doesn’t it? Things went from bad
to worse in last night’s episode of Game of Thrones, written by George
R.R. Martin, the author of the books himself. Everybody got something to
do, the monologues were less lengthy and preachy, and they never felt
the need to resort to bare breasts to grab the viewer’s attention
(though there is a very different sort of nudity in there). The action
is reaching a fever pitch, and while a lot of it must take place off
screen due to the concerns of TV budgeting, Westeros is definitely
becoming a very unsafe place to be.

8.0
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The Killing – Missing

The
synopsis for this episode would have made anyone think that “Missing”
was strictly going to be a filler episode; which it was, but that
didn’t stop it from being better than most in the series. Switching
things up by focusing solely on Linden and Holder was a wise choice,
as was the character development and back story the writers finally
gave the audience. It’s just a shame it didn’t come much sooner in
the series.

Day
twelve picked up with Linden investigating the casino the Adela ferry
led her to. The staff was tight lipped, but one confirmed that Rosie
was there on the Friday in question; despite trying to do just the
opposite. Though Linden did give a convincing performance as the
take-no-guff detective, being out of her jurisdiction meant attitude
alone wasn’t enough. In lieu of waiting for a federal warrant,
Linden decides to requisition the footage from the ATM’s around the
casino to see if they can spot Rosie using one. The detectives would
still have to wait most of the day for the D.A. to file the warrant,
which was the perfect opportunity for Linden’s son to run off,
leading her and Holder to spend the day tracking him down. It was
certainly a change of pace to focus an entire episode on Holder and
Linden; with no scenes involving the Larsen’s or the Richmond
campaign. If The Killing had
set out with episodes like this for all three story lines, than
perhaps the audience wouldn’t have been complaining for so long about
not knowing the characters. As such, we’re twelve episodes in and
just now learning about these characters’ motivations, as well as the
demons they deal with. No matter how overdue it is, there is no
denying it’s nice to see.

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Alien Invasion TV Series Before “Falling Skies”

“Falling
Skies,” the much talked about alien invasion TV series (probably
because Steven Spielberg’s name is in the production team), premieres on
TNT next week, on Sunday, June 19. This happens just as ABC’s “V” — the
only remaining alien invasion series on a major network — has been
cancelled, so we thought this would be a good time to take a closer look
at those specific genre shows. After a quick peek at their evolution
over the years, we will try and define “Falling Skies” place into the
fray in a vain attempt to estimate its chances of success.

Contrary
to what one might think, alien invasion TV series are not quite as
common, or quite as old, as other sci-fi TV shows; but, similar to their
older and more popular counterparts, they originally grew out of movies
and novels. In 1898, one novel in particular not only introduced the
concept, but also laid out the early blueprint of such stories: H.G.
Wells’s The War of the Worlds. The novel tells the story of a
Martian invasion in England, during which a man tries to reunite with
his wife. Movies were, as usual, the first to jump on the bandwagon, and
it wasn’t until 1967 — sixteen years after the first movies — that we
had with ABC’s The Invaders, the first alien invasion TV series
produced in the US. The series ran for two seasons, but there was no
other production in this sci-fi subcategory until the late 1980s. In
1988, the new series War of the Worlds extended the story of
Wells’s book (first adapted in a 1953 movie) by using the now cliché
the-aliens-didn’t-quite-die trick, but wasn’t able to go beyond one
season. During the following two decades, other U.S. productions all
suffered similar fates, all suffering in ratings.

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What You Won’t Be Watching This Fall

With
the bounty of new shows this autumn, the ones that didn’t make the
cut will probably not be missed, but there are a few unpicked
projects that are worth taking a moment to acknowledge. Whether it’s
for how much potential they held or just because of the buzz they
generated, these four shows deserve a second glance.

Starring
Terry O’Quinn (
Lost) as
Del Roman, a man whose power is only outweighed by his villainy and
who rules over the town of Hallelujah, this project’s cast was one of
the best things it had going for it. Also set to star was Donal
Logue (
Terriers) as
Rye Turner, a family man fallen on hard times, and Frances O’Connor (A.I. Artificial Intelligence) as his wife. With the arrival of
an altruistic stranger possessing miraculous powers, played by Jesse
L. Martin (
Law and Order),
the small town is engulfed in a struggle between good and evil in
what could have been Marc Cherry’s second hit for ABC. It’s hard to
imagine any project Cherry is involved with not having a satirical
edge, which might have hurt the show’s chances of being picked up.
Once Upon a Time, a
series ABC did choose, is another over-the-top depiction of a battle
between the forces of good and evil. Though it takes place in a
vastly different setting, the similarity could be the reason the
network opted not to run with the seemingly more grounded
Hallelujah.

7.5
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The Killing – I’ll Let You Know When I Get There

With
their prime suspect beaten to a pulp, not to mention cleared of all
connection to Rosie’s murder, Holder and Linden are back to the
drawing board in this episode. While the Richmond campaign sees a
surge and the Larsens are dealing with the consequences of Stan beating
Bennet half to death, the detectives actually make a little progress
in the case, even while one deals with heavy personal issues and they
both deal with another mislead.

After
Stan all but kills Bennet, he almost immediately turns himself in.
The shots of him being booked were poignant, though they would have
been more so if he’d actually killed Bennet. It also would have been
nice to know that the series is willing to greatly alter the lives of
their characters, as the writers haven’t done much of that since
Rosie’s body was found. Little focus was put on how Stan’s
incarceration is affecting the family, besides Terry having to
explain it to the kids in a scene that once again made the viewer
question if Mitch isn’t the worst mother in the world. Seriously, at
this point Stan could be the killer (he genuinely could be given the
latest developments in the case) and he would still be a better
parent, especially since it was Mitch blaming Stan that led to his
imprisonment. It can be assumed that the lasting impact Stan’s
arrest has will be focused on soon, as will Mitch discovering their
savings account being emptied. It just won’t be easy to keep feeling
sympathetic for the grieving mother when we do see those events play
out.

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FOX Celebrates Their Seventh Year on Top

From its humble beginnings, Fox has
risen to dominate the broadcast networks, and they’re celebrating
their seventh year of doing just that. That means they’ve also
broken their own record for most consecutive wins in broadcast
history. In addition to earning the most viewers in the key
demo (adults 18-49) for seven years running, Fox has also stayed on
top with adults 18-34 for nine seasons, and teens 12-17 for
eleven (and they say teenagers are fickle).

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