Turn off the Lights
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Carnival Row (Spoiler-Free) Review
August 29, 2019 | TV Reviews
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Fall Network TV Preview: DRAMAS
August 17, 2019 | TV Features
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BH90210 Pilot Review (Warning-Spoilers!)
August 9, 2019 | TV Reviews
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Veronica Mars Season Four (Spoiler-Free) Review
July 19, 2019 | TV Reviews
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Forget Shark Week, It’s Space Week
July 17, 2019 | TV News

Television

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A Study of AMC: Part 2 of 2

In the conclusion of this
article I’ll be examining the lows AMC has experienced with their
new batch of original programming, as well as a look at their
greatest commercial achievement. We’ll also take a peek at what’s to
come for the network in their newest series, and where it might fall
on the scale of AMC’s existing programs.

AMC was riding high on the
success of Mad Men and
Breaking Bad coming
into the summer of 2010. This is when they launched their third
original program since retooling the network.
Rubicon
was meant to take another cast of relatively obscure but talented
actors and insert them into a compelling storyline with deep and
often troubled characters (basically following exactly in
Breaking
Bad
and Mad Men’s
footsteps). Some things just don’t work out the way we hope, though,
and such was the case with
Rubicon.
The cast was solid for the most part, but no one stood out or
provided the audience with a particularly memorable performance. The
plot also fell short in enthralling viewers, despite its conspiracy-driven story.

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63rd Annual Primetime Emmy Nominations Released

Today
the Academy of Television Arts & Sciences announced the nominations
for the 63rd Primetime Emmy Awards. The nominations for the main
categories went as follows: Outstanding Comedy Series – The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television; Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television; Modern Family • ABC • Twentieth Century Fox Television; The Office • NBC • Produced by Deedle-Dee Productions and Reveille LLC in association with Universal Media Studios; Parks And Recreation • NBC • Produced by Deedle-Dee Productions, Fremulon, 3 Arts and Universal Media Studios; 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studios

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Archer at Comic-Con 2011

The FX series Archer will
have a panel on Thursday, July 21 from 4 to 5PM PT in the Indigo room at
the annual San Diego Comic-Con International. In attendance will be the
voice actors for the show: H. Jon Benjamin, Aisha Tyler, Chris
Parnell, Judy Greer, Amber Nash, and George Coe. Also, the creator
and executive producer of the series Adam Reed will be fielding
questions and discussing the series.

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Creators of ‘Robot Chicken’ Produce Series for YouTube

Seth
Green and Matthew Senreich are taking to the internet for their next
series. Stoopid Monkey (also
the name of the pair’s production company) will incorporate real
people in live action as they interact with the stop-motion created
titular character and his two companions, Biggie and QT. The series
premieres via YouTube on July 15, with two new episodes being
released each Friday for the following ten weeks.

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A Study of AMC: Part 1 of 2

With the recent airing of The
Killing
‘s season finale, as well
as
Breaking Bad‘s
fourth season premiering in a few days, I thought it would be
appropriate to take a look back at where the network has been. With
their drama series, AMC has found both critical acclaim and ratings success

if never exactly in the same show. But the network existed for years
before the likes of
Mad Men
and
The Walking Dead
came about. So in the first half of this two part article I’ll be
examining the life of AMC leading up to the network’s greatest
triumphs, and the two shows that began their meteoric rise after a
long history filled with successes and failures.

9.0
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Falling Skies – Silent Kill

With “Silent Kill,” Falling Skies
has undoubtedly delivered its best episode so far. This is true for the
writing as well as for the story structure and its execution. The
episode has also established — through its most obvious flaws — that
Noah Wyle is several notches above all the other cast members.
Those
like me who thought Ben — Tom Mason’s harnessed son — would be used for
a while as some kind of tantalizing out-of-reach object couldn’t have
been more wrong. The episode starts with preparations for the rescue
operation both from the medical perspective (drugs resupply) and the
strictly military angle (planning of the attack). The opening scene
actually shows Hal and Margaret returning with the medical supplies. It
is an expedition that would have taken a whole episode if the writers
had stuck to the pace of the series until now. The leap ahead didn’t
impress me right away because it was followed by slow battle planning
scenes and some conversations that seemed to have “nifty delaying trick”
written all over them. It wasn’t until Dr. Anne Glass killed the
skitter that I realized things were markedly different this time around.

7.5
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True Blood – If You Love Me, Why Am I Dyin’?

True Blood
has a problem. Last week I praised the show for setting up a large
narrative giving every character the chance to become the focal point of
an episode. What seemed like a good idea then, however, is just
becoming irritating now. The issues don’t stem from the quality of the
show as a whole. In fact, some of the character moments coming out of
“If You Love Me, Why Am I Dyin’?” were perhaps the strongest of the
season thus far. The problem is that some of them are. The core
of main characters have the strongest storylines, as they should have,
but relative to the supporting cast, the storylines are too strong.
Sookie, Bill, Eric, Jessica, Hoyt and the coven all have consistently
engaging moments on screen right now, but everyone else is just burning
air time. The writers are trying to balance the story out and not have
it be just about vampires, something that they should obviously aspire
to, but it isn’t working.

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