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Television

8.0
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Breaking Bad – Shotgun

Breaking Bad followed up last
week’s excellence with an episode that didn’t quite match it in terms
of entertaining the viewer. With a greater emphasis than usual on
visual style the episode did provide some stunning shots, but it was
also brought down slightly by a storyline that moved along at a
snail’s pace. That being said, the episode was not without some big
developments to the plot and characters.

Walt’s anxiety over Jesse’s safety has
obviously built to a frantic level in the space between now and when
we last saw him in Jesse’s house. The well executed shots from the
point-of-view of Walt’s front bumper immediately throw us into the
chaos of his madcap race to Los Pollos Hermanos. Adding to the
excitement was Walt yelling at Saul to ensure Skyler gets all of his
money if something happens to him, all while weaving in and out of
traffic with varying degrees of success. However, the more important
call would be the message he leaves Skyler, which would have a
considerable impact on their relationship. That would come later
though, as Walt does somehow manage to avoid arrest or collision on
his way to confront Gus. “The Chicken Man” always seems a step
ahead though; leaving Walt to stare at security cameras that mock him
every bit as much as the one in the lab. Cranston’s performance as
an unhinged Walter White in these opening minutes make it easy to see
why he nabbed that best actor Emmy three years running.

9.2
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Haven – Roots

After “Fear & Loathing” three weeks ago, “Roots” was another episode showing Haven
at its best. Like in the former, feelings of resentment and hatred were
at the heart of the events, and the visuals were of the type that would
impress the viewer’s mind. However, instead of a single person
vendetta, we had a skillfully conveyed feud between two families to draw
from, which turned out to be even more compelling. To make things more
interesting, the writers also decided to spice things up in the lead
characters’ lives.

Haven
is not meant to be a procedural, and investigations are not meant to be
the show’s strong suit. All that is required from Audrey is to gently
lead the viewers to the person and the reasons behind whatever trouble
is afoot, and that is what she did here. It was nice for the show to
contrast her approach with Chris Brody’s who just wanted to deal with
the manifestations or symptoms and not the source (Audrey: “In Haven
[the town] it’s always someone!”).

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Syfy’s Haven Launches Fully Integrated Twitter Storyline

On August 10, Syfy announced via a press release that its series Haven
has created a storyline that flows seamlessly between the show itself
and Twitter. The storyline started on Friday, August 12, with the
episode “Roots,” which is the beginning of a special seven-episode arc.

According
to the press release, “In the story, Vince (Richard Donat) and Dave
(John Dunsworth), who run the newspaper in Haven, join Twitter as
newcomers to the medium. Viewers who follow their characters
(@VinceHaven, @DaveHaven) will see them interact with a mysterious
Twitter user (@ColdInHaven) who knows more about Haven – and Vince and
Dave – than anyone should.”

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ABC Still Developing Hulk and Jessica Jones Series

At
the San Diego Comic-Con last month and at the TCA (Television Critics
Association) press tour last week, executives from Marvel TV and ABC
discussed Marvel Comics projects under development at the network.

Speaking
at the TCA, ABC Entertainment Group president Paul Lee said, “We’re
extremely excited by having Marvel in the fold. We’ve developing
aggressively both AKA Jessica Jones and The Hulk. Hopefully we’ll have two very good choices to look at around the pilot season next year.”

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What You Should Be Watching

Summer
will soon be drawing to a close, so TV series with short-season orders
are each concluding their season or are right in the middle of it. We at
Player Affinity TV thought we should help you enjoy your summer by
checking the landscape for you, and recommending only those series you
should be watching. These picks are not for everyone, but they each have
a quality that sets them above others in their category.

9.5
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Louie – Eddie

The second episode in the double
feature of Louie had slightly less laughs than “Come On,
God” but it was every bit as good. The plot of “Eddie”
centered on Louie reuniting with another comic that he hadn’t seen in
twenty years. Their misadventures in Brooklyn led to some uproarious
comedic moments; before things took on a more somber tone when Eddie
reveals his real purpose for visiting in one of the series’ most well
written scenes to date.

One thing should be made clear right
away, Louie’s old pal, Eddie, is a jerk. From his first moment on
screen to his last he was abrasive and condescending; which is not to
say he wasn’t funny, at times at least. Played by comic, Doug
Stanhope, the character’s personality wasn’t far from the actor’s, or
at least his onstage persona. He was obnoxious to everyone he meets,
as soon as he meets them, if not outright belligerent. Eddie hasn’t
said two words before he is getting into a fracas with comic Greg
Rogell. (Who got a great laugh for his brief bit of standup on Tiger
Woods’ sex addiction.) Eddie lays into Rogell and any non-rode
comic, for not having the resolve to live in their car and have
debilitating drug addictions – like “real” comics. Though
Louie and Eddie both started out together, it is clear the two now
have very different views on what it means to be a comedian.

6.5
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Wilfred – Anger

This episode of Wilfred should
have been one of the best, but unfortunately it ended up being
another half hour of hit-or-miss comedy. For an episode featuring
the funniest recurring character, “Anger” didn’t provide nearly
as many laughs as would be expected. In addition to just not being
that funny, the episode highlighted two problems with Ryan and
Wilfred’s relationship that have been plaguing the show since it
started.

With Ryan helping Kristen organize a
party for her boss, and Wilfred spitting out one great line after
another, all signs were pointing to “Anger” being a hilarious
episode. As it turned out though, it would only produce sporadic
bits of hilarity with a lot of deadwood filling the gaps. The early
moments were some of the funniest, thanks mainly to Wilfred, and the
brilliant performance of Jason Gann. As I’ve said before, the man’s
commitment to the role is unparalleled, and it shows through in
almost all of his scenes. Most notable this week was his disbelief
at the idea of anyone not liking him, “No one hates me. I’m
Wilfred, I’m adorable.”

Framing his face with his ears, and the coy looks he shoots Ryan were
even more uproarious than his lines of dialogue. Unfortunately,
outside of a few lines, these early scenes would end up being the
funniest moments in the episode.

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