Turn off the Lights
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Carnival Row (Spoiler-Free) Review
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Fall Network TV Preview: DRAMAS
August 17, 2019 | TV Features
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Veronica Mars Season Four (Spoiler-Free) Review
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July 17, 2019 | TV News

Television

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Face-off of the New Fall Comedies

The Fall schedule has its fair share of
new comedies, and I can think of no better way to welcome these fresh
faces than by pitting them against each other. Matched up based on
their similar themes of family, friends, relationships, and men that
aren’t quite men; are eight of TV’s latest comedic ventures.
Single-camera series square off against the more traditional
multi-cam format to decide which is worthy of your time. So place
your bets on which shows will make it to the twelfth round, and which
will be knocked out as soon as the bell rings.

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David Hayter Bringing The Damned to Showtime

X-Men screenwriter David Hayter is reportedly adapting The Damned into a television series for Showtime. The Oni Press comic written by Cullen Bunn and illustrated by Brian Hurtt follows the adventures of Eddie, a man who is drawn into a Chicago turf war between three warring families of demons. “I’ve been privy to some of what is planned for the series, and I gotta tell you, it is gonna be awesome,” wrote Bunn on his blog.

Hayter is known for writing and co-writing on comic book movie adaptations including; X-Men, X2 and Watchmen as well as being the voice of Solid Snake in the Metal Gear Solid franchise. Whilst the comic had a prohibition-era setting, the show is set to be based in modern-day Chicago. According to Deadline, Littlefield Co. and CBS Television Studios will produce The Damned alongside Oni Press’s sister company Closed on Mondays Entertainment.

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Shawn Ryan Pilot Headed to ABC

Shawn Ryan isn’t usually known for going too far out of the box
with his programming. Rather, his body of work is that of procedural
shows that for the large part have an edge to them that makes them,
well, good. His newest venture with ABC, however, would struggle to be
classified as procedural, or contained within a box of any kind.
According to Deadline, Ryan has teamed up with feature writer Karl Gajdusek (Dead Like Me) for a pilot called Last Resort.

9.5
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Haven – Audrey Parker’s Day Off

With “Audrey Parker’s Day Off,” Haven
has finally reached its potential. In one episode, the series has
displayed the skills that made me laud “Fear & Loathing” and has
made the viewers care more than usual for the outcome because Audrey —
the cornerstone of the story — cared more than usual. By weaving
together good storytelling and a compelling lead character drama, the
show has delivered an episode that will really please the regular
viewers, and possibly win over new ones.

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The Dark Days Are Coming: A Look at Dexter Season Six

To say that there has been hype about the upcoming season of Dexter
would be a bit of an understatement, somewhat like saying that the
serial killer is a well-balanced and perfectly normal member of society.
With Rita’s shocking exit from the show at the end of the fourth season
came one of the more dramatic twists of any show in recent memory, and
along with it came both speculation and worry
the latter
of which was not necessarily removed from fans’ minds when the fifth
season came to pass. The worries for the most part came in the form of
questions surrounding the direction of the show. Although Dexter lived
on before his wife, the show had always been relationship-based, most
specifically focusing on how Dexter kept his Dark Passenger a secret.

8.5
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Breaking Bad – Cornered

We are almost halfway through this
season of Breaking Bad, and while it hasn’t been an
adrenaline-filled ride, the series is still putting out highly
entertaining episodes. “Cornered” may not have seen much plot
progression, but the characters’ personal journeys made for
compelling drama.

In recreating the opening from “Bullet
Points” the episode set us up to think we already knew the outcome.
If Mike handled two cartel thugs with a single pistol, than surely
these two guys packing assault rifles won’t have any problem dealing
with a few more hijackers. But that lull was intentionally designed
to impart more impact on what actually happened; which already had
plenty of its own. Seeing the two guards die clawing and scratching
for air as they gasp on exhaust fumes didn’t quite match the level of
brutality in watching Victor meet his end at the hands of Gustavo;
but it wasn’t far behind either. Contrasting it with the three
cartel agents casually sharing the dead driver’s lunch was a black
humor cherry on top.

6.5
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True Blood – Let’s Get Out of Here

The road to redemption for True Blood this season is going to be a long one. After a strange but somewhat promising start, the show fell victim to indecision and was plagued by the fact that the source material for the show, at least in the case of “Dead to the World,” absolutely sucks. I haven’t read it, and I know that artistic license has obviously been taken, but Charlaine Harris simply bit off more than she could chew when it came to introducing witches into the story. The Antonia plot is not terrible, in fact it has the potential to be far from it, but trying have it be so stupidly “authentic” (if it could even really be called that) is just making it ridiculous. Based on a very quick Google search, Fiona Shaw is a good actress, but if you’re going to have the main antagonist of the show speak in a Spanish accent for most of the season, don’t cast an Irish woman! Try as she might she just sounds stupid and it sucks any sliver of seriousness or gravitas out of her character. 

Furthermore her revenge plot is nonsensical. If she really has the power to make the vampires walk into the sun (which she does), just cast the spell forever until eventually she wins. She is a spirit possessing a woman, she doesn’t need to sleep and isn’t really under any threat given her power, so why bother even trying to form a coven if you’re just going to stop using them anyway? Why on Earth she needs to specifically stay in a tiny town in Louisiana is also beyond me. She has no personal connection to the place at all, save for the fact that Marnie was attacked by Erik (which was entirely her own fault) and she could very easily succeed with her plan by going absolutely anywhere else in the world! No one besides the people already involved actually knows that she exists or has the power that she has, so why she hasn’t just hopped a red eye to the middle of New York City and killed thousands of vampires is just an unanswerable question due to sheer lack of common sense in the writing.

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