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Television

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Homeland First Impressions

Though the official premiere of Homeland is still weeks away, this latest dramatic offering from Showtime is already garnering some attention.  The pilot episode has found its way around after originally being put up on the show’s website, watchcareful.ly, and is now available on YouTube, albeit with some slight censoring (DirecTV subscribers will also be able to see it, unedited, this Sunday on the Audience network).  Whether you want to take a peek early or would rather wait until October before jumping into the series, here is what you can expect from Showtime’s psychological thriller.

Homeland is certainly a “sign of the times” piece, tapping into the fears of national security that hardly existed just ten years ago.  Which is not to say it’s exploitative, or solely reliant on the audience’s paranoia to hook them in.  There is dramatic weight behind the plot at the forefront, and a cast with enough talent to keep viewers in their seats even when the characters aren’t spying on each other.  Not without its flaws, the pilot still did an excellent job of drawing me into the story, and if the episodes that follow can overcome what issues the show does have, Showtime could have a real winner on it’s hands.

6.5
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Haven – Lockdown

“Lockdown” was an ambitious episode of Haven. The writers decided to get rid of two recurring characters and lay out the case against a radical approach in handling the Troubled,
all in the same episode. Both recurring characters are now gone, that’s
for sure, but all three storylines were painfully lacking in their
execution.

A
character’s death — especially one that helps move the story forward
for the protagonist — is always a big deal and is a powerful tool in
storytelling. Despite what it represents, our reaction to death strongly
varies with the situation and our perception of it. News of casualties
in a natural disaster will invariably make us feel sorry, but watching
TV coverage of the event, with an emphasis on some particular survivors
and their plight, is very likely to stir many viewers into some action
or another aimed at helping. Whether or not the help is carried out is
irrelevant. My point is that viewers are more prone to react when the
event, through a smart coverage, involves them emotionally. The way to
achieve that in storytelling is to make the doomed character lovable or
at least make her redeem herself before her death, and if at all
possible, make her matter to the protagonist.

9.0
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True Blood – And When I Die

After eleven episodes of some of the most confusing, ridiculous and stupid television ever committed to my memory, I had little hope for the close to the fourth season of True Blood. The season began having absolutely no idea what it wanted to do and took us, the viewer, down a path that could have lead anywhere for weeks on end. The season opener introduced us to a world charged with political fallout for the vampires following the events of season three, and although it seemed as if that would come largely into focus as the season progressed, it surprisingly fell by the wayside. Along with the undead remake of The West Wing came faeries, sort of good, sort of evil, but never really clarified. The first ten minutes of the premiere were completely focussed upon them, but they too fell off the screen. They seemed hell bent on getting Sookie to join them in their fake utopia for all of an hour and that was just about that. 

Slowly throughout the course of seven episodes we were introduced to witches, mediums and crazy evil babies that ultimately shaped up into what the season was about. Desperate, lonely witch Marnie begged for possession just to feel something other than the overwhelming sense of apathy for her own existence and was rewarded with a Spanish woman. To round things out nicely, said Spanish woman just so happened to be a witch herself – albeit 400 years ago – and had serious beef with vampires, something that Bon Temps has never been short of. War commenced (if copious amounts of angry talking with little to no actual fighting can be called war) and with it came the next four episodes of True Blood. With some idea of what it was doing, the show managed to get back on its feet somewhat, but still suffered largely from relying heavily on secondary stories that it was impossible to care about. Those that could be cared for did work for the most part (ignoring cringe worthy special effects) and it all came to a head last week in “Soul of Fire.”

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Hannibal Lecter Heads To Television

It looks like the zombies of The
Walking Dead
are going to have some competition for all that
human flesh. After continued attempts to recapture the success of Silence of the Lambs, Gaumont International
Television are taking the story of Hannibal Lecter, originally
created by author Thomas Harris, to the small screen. Bryan Fuller,
creator of Pushing Daisies and Wonderfalls, has been
tapped to write the television adaption. Fuller will also serve as
executive producer along with Martha De Laurentiis, who produced the
films; Hannibal, Red Dragon, and Hannibal Rising.

The series, dubbed Hannibal,
will draw on the relationship between the good Dr. Lecter, and FBI
profiler, Will Graham, that was featured in the book and film, Red
Dragon
(as well as the first film featuring the cannibal
psychiatrist, Manhunter). This prequel to the events of
Silence of the Lambs will focus on Graham seeking guidance
from Lecter in his investigations, which are troubling for Graham
because of his ability to empathize with serial killers.

7.0
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Entourage – The End

After ninety-six episodes spanning eight seasons, HBO comedy-drama Entourage finally came to a close on Sunday. Over its eight years on screen, the show has certainly had its ups and downs, with the eighth season in particular displaying perhaps the biggest range in quantity and quality of content that the show has ever seen. After starting so strong, the show wavered – seemingly unsure of where it was going – changing the lives and relationships of its characters forever, with little to no explanation. It wasn’t difficult to pan the middle of the season for that lack of logical direction and even as recently as last week’s penultimate episode, things were set to end in a pile of shame on the floor. Enter the series’ finale. 

“The End,” apart from bearing the weight of being the end of a relatively long-running show, had an awful lot to do. Drama had a movie in the works, Turtle was a millionaire and Vince, Eric and Ari had relationship issues that would overflow any available cup to put them in. With only half an hour to get it all out of the way, prioritizing had to be done. Thankfully, despite near an entire season of poor choices on the part of the writing staff, they actually got it right for once. Ignoring the going nowhere business ideas of Turtle despite his tireless efforts, as well as all things Johnny Drama, “The End” focussed entirely on the relationships of what it wouldn’t be a stretch to say were the three main characters of the show. 

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Spartacus Star Andy Whitfield Dead at 39

Actor Andy Whitfield, former star of the Starz TV series Spartacus: Blood and Sand, succumbed to non-Hodgkin Lymphoma. Vashti, the Australian actor’s wife, said her husband died on a ‘sunny Sydney morning’ in the ‘arms of his loving wife.’ 

The actor was diagnosed with the disease in March 2010 and began treatment immediately in New Zealand. He appeared in all 13 episodes of the first season of the Spartacus: Blood and Sand, first aired in 2010. The diagnosis lead to his decision to part ways with the show, including future seasons, to focus on treatment.

9.0
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Breaking Bad – Bug

Whether you pictured a cricket or
correctly assumed a monitoring device when you heard the name “Bug”
you couldn’t be prepared for the massive impact that such a small
object would have. The latest episode of Breaking Bad was
perhaps the most compelling of the season with major developments on
nearly every front, all handled with the usual flare that comes with
one of television’s best dramas. As one war was being averted, a
much more personal one that has been brewing all season was reaching
its tipping point. Now the relationship that has weathered carnage,
destruction, and death may come to an end with one cheap GPS tracker.

Breaking Bad has never been
averse to puzzling cold opens, and while the series has been a little
light in that regard with this season, for the second week in a row
the audience was left wondering how the blood we were seeing on
screen would come to be spilled. At least this time we knew who it
was, thanks to Walt’s stylish suede shoes matching up to the shot of
him arriving to pick up Hank. And as it turned out, their trip back
to Los Pollos Hermanos to retrieve Hank’s tracker was engaging enough
to put thoughts of the cryptic claret on the back burner. It was
heartbreaking to see Hank so gung ho and optimistic when we already
know his efforts would be fruitless. Seeing him try to ease Walt’s
nerves with that Schrader charm only made it worse. Admittedly
though, the sympathy felt for Hank wasn’t enough to keep a smile from
cracking at his terrible rendition of “Eye of the Tiger”(you
think he would have picked up some tips on singing from Gale’s
karaoke video). He may not have lightened Walt’s mood, but Hank is
always able to provide a little comic relief for the audience. Which
is why it’s painful to know his investigation doesn’t have much
chance with one of his key targets “assisting” him, and that with
Walt warning Mike ahead of time, his inspection of the distribution
center isn’t going to turn up more than drumsticks and spotless
floors.

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