“Johnny McKee” flowed at just the right pace, and as a result, felt much shorter than all previous episodes. The weakest part of the now established episode pattern — the story set in modern day San Francisco — was also better, all things that contributed to a slightly better than usual episode of Alcatraz. Before discussing “Johnny McKee,” let’s go over my grief with the series so far in more details. Whatever the author’s brand of dramatic structure, a story is typically broken into an introductory part, one or several parts where things are developed, and a closing part. In the introduction, we get a little background information and details about what the problem is, like let’s say the identity of the returning inmate and the fact that on top of being a wandering convict, he is killing people and needs to be stopped. In the middle part, things get ugly before they get better for the protagonists (heroes), as in they try to find the inmate, but they can’t do it in time before he kills other innocent people. They finally get whatever it is they need to be locate him, but they (and we) are not sure they’ll be able to fend off the current threat. In the closing part, the heroes save the day, as in they get to the inmate in time to stop him and then go back home to draw lessons from what has happened or read a book to a lady in a coma.