The first bonafied blockbuster of 2013 is here in the form of Oz the Great and Powerful, and this week The Plot Hole has the review, as well as a discussion on the future (and track record) of these big budget fantasy reimaginings.
In anticipation of Wicked, Kieran and Donovan suggest who should be cast in the musical adaptation.
Despite Skyfall being the most successful movie in the Bond series, grossing over $1 billion dollars and earning excellent critical notices, director Sam Mendes has decided not to return to the series. “Bond 24” has instantly become of the biggest gigs around, and with that in mind, here are ten directors we think would do justice to the series and the world of Daniel Craig’s Bond.
It’s the three-quel show this week on Trailer Tracker, with two of 2013’s most anticipated potential blockbusters The Hangover Part III and Iron Man 3 unleashing trailers with the hopes of drumming up even more buzz ahead of their late spring releases.
With March upon us, and a being month that constitutes a crowded movie slate, this week The Plot Hole will do our best, for you, to sift through the clutter.
Jack the Giant Slayer hits theaters tomorrow, but will Bryan Singer’s fantasy ultimately stand among the greats when it comes to utilizing CGI?
Moviegoers will decide over the weekend whether The Last Exorcism Part II was worth the effort, but for now, let’s remember Daniel Stamm’s predecessor from 2010, The Last Exorcism, for what it is: a flawed yet utterly fascinating, engaging, and quite often subdued exercise in terror.
This week on The Plot Hole we talk the night’s winners and losers, surprises and disappointments, chat the ceremony, the legacy of Best Picture winner Argo and make some insanely early predictions for next year.
So here they are, chiselled in stone, our final Oscar predictions, bestowed with the capacity to reassure as much as to induce hair-pulling.
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