Playwright
John DeVore does not like video games.
He dislikes them to such an extent that he’s written a one-man show
about his lifelong grudge against them.
It’s called Son Of Pong, and is playing this month as part of the Game Play Theater
Festival in New York City.
Despite his
hatred of electronic entertainment, Devore is still an authentic geek. He establishes his nerd cred numerous
times during the show; a child of the eighties he points out his love of He-Man
& The Masters of the Universe, G.I. Joe, Star Wars and the super-helicopter TV show Airwolf.
To be fair,
DeVore has some pretty good reasons to not like games, such as his father being
a video game addict who played Legend of Zelda obsessively right up to the night
he died. Long before the modern
talk of World of Warcraft and MMO addiction, people suffered from an earlier, more
primitive form of this disease. We
called it “Pac Man Fever”, but it also applied to any of the classics on the
Atari 2600, or the original NES.
These quaint old games were just as engrossing as our modern ones at the
time, and DeVore father was a terminal victim.
Song Of
Pong is told
informally, with DeVore addressing the audience directly, recounting the
humorously tragic tale of his childhood, and his father’s death. He shows insight into gamer psychology
by detailing the way that many gamers have a special set of comfy clothes they
wear when gaming (“The Uniform” as DeVore calls it), or a gaming “Throne” to
sit in when playing, and special “Fuel” to eat on long play sessions DeVore
goes into detail about the disgusting snacks his father consumed while binging
on Pong.
He is funny
and neurotic but occasionally serious too, especially in the second half of the
90-minute piece. Like many one-person
shows, Son of Pong
sometimes feels like art-therapy with the audience taking the place of DeVore’s
psychologist as he discusses his relationship with his father. This is typical for autobiographical
shows of this like, and is easily overlooked because the subject matter is
quite entertaining. Even though it
is ostensibly about video games, there’s a lengthy section where DeVore’s
monolog diverts from gaming to his hypochondria. Gamers coming just for the
talk of the golden days of Atari and Nintendo might not appreciate this, but
the play eventually turns the focus back to growing up the son of a gamer dad.
Visually
the show is a little bland, DeVore performs on a bare stage, wearing street
clothes. There’s no furniture,
except for a box holding an old Nintendo console. Footage of 80’s video games is projected on the wall behind
him for most of the show, which is a little distracting, but still better than
black curtains.
There are
about half a dozen shows in the Game Play Festival, and Son Of Pong is one of the more traditionally
theatrical, as well as among the better among them. It also doesn’t require any understanding of video games, or
even a tolerance of them. It’s
playing through July 30th, you can see more about it and the other
projects in the Game Play festival at the Brick Theater’s website.